Archive for the ‘opera’ Category

Credit: Exploratorium

Credit: Exploratorium

Opera singers get a brief mention in one of the online exhibits of the Exploratorium, a science museum in San Francisco.

Now, it IS a really brief mention.  And the scientific explanation is somewhat (over?-)simplified.  But I guess you could use it to explain opera singer anatomy and acoustics to your kid!

At any rate, I think it’s cool to see opera singers highlighted in a science museum exhibit in any way, shape, or form!

And dude, I think I know that guy in the picture (and yes, he is in the biz…)

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resume

Since I’m working on my résumé at the moment, I thought I’d do a roundup of basic résumé writing resources for singers. (more…)

Photo Sep 03, 12 13 48 AM

This is for you opera/theatrical types out there.  After being in an acting class this summer, I was curious if iTunes U had any courses on related topics. I discovered that the National Theatre has a collection of video clips on iTunes U on every aspect of theatre, including:

Also, I found these other iTunes U courses and podcasts:

Remember, even if you’re not an Apple user, you can still access iTunes U content for free on a PC or Android device.

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Well, the ink is hardly dry on my previous blog post, Web search tips for thematic programming of a concert/recital, and now fellow techie singer Katia H. has created a search tool that searches all of the websites mentioned in my post, in one fell swoop!  It’s over at classicalsongsearch.com.  It’s still in alpha so there still might be some kinks to work out, but give it a whirl and let Katia know if you have any problems or suggestions!

Grazie mille, Katia!

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So one of the things that’s been sucking away at my time for blog-writing these last couple months is that I’ve been organizing and programming a benefit concert.  While hunting for pieces related to the concert themes, it occurred to me to share some of the Google-fu that I use for finding music.  I’m sure these tips are old hat to some of you tech-savvy singers, but others might find them useful.

So, one of my objectives was to find vocal solo or small ensemble pieces from the opera, art song, musical theater, or popular genres on the theme of “gold” or “golden”, since the concert benefits an organization celebrating its golden anniversary season.  I did this by using keyword searches on the following websites:

Several of these sites contain texts in various translations, so I made sure to search for translated versions of my keywords, too.  E.g., in addition to searching for “gold” I would also search for terms “oro”, “d’or”, etc.  (It had to be “d’or” for French since “or” would yield too many search results in English texts!)  Translating the search terms is less necessary for some of the sites, like The Lied, Art Song, and Choral Texts Archive and  Aria Database because they have English translations of many texts, so my keyword search for “gold” will still yield songs in other languages.  Other sites like Opernführer might only have the libretto in the original language or in German, for example, so translating the search keywords is a definite help there.

As for search engines – some of the sites above have a very good site search feature, e.g. The Lied, Art Song, and Choral Texts Archive and AllMusicals.com, so you can just go directly to their website and enter the keywords into the search form there.  But sometimes a website doesn’t have a site search feature (e.g. OperaGlass), the site search feature is too specialized for a general text search (Aria Database), or the site search does not return results of sufficient quantity or quality.  In this case, you can do a Google search with the following syntax in order to narrow your search results to a particular site – just include “site:” followed by the domain name of the website to search, with no space in-between:

gold site:opera.stanford.edu

google_search_syntax_example

Once I found song texts that fit my programming theme, I was able to track down scores for songs through online sheet music sellers, IMSLP, CPDL, or by using WorldCat to find scores in libraries local to me.

8/26/13 UPDATE 1: Fellow techie singer Katia H. has created a search tool that searches all of the websites mentioned above, in one fell swoop!  It’s over at classicalsongsearch.com – check it out!

8/26/13 UPDATE 2: Glendower Jones contributed this very useful info in the comments for this post:

This is great advice. Many folks may not know of the many massive reference books on vocal repertoire that were written by Sergius Kagen, Noni Espina, Michael Pilkington, Judith Carman, Graham Johnson, Shirley Emmons and Carol Kimball. A very useful reference is Pazdirek, the BBC Song Catalogue and Classical Vocal Music in Print and of course Groves and MGG. I don’t know, but possibly some of these books may now be on Google books.

These are some of the major references but still only a drop in the bucket. Pazdirek, Universal-Handbuch der Musikliteratur was produced in Vienna from 1904-1910 and contained the compilation of practically every music publisher active at the time. This was reprinted in 1967 in the Netherlands and is now free online. Few musicians know of this amazing work. http://archive.org/details/universalhandboo01pazd

Also, in a Facebook comment, Nicholas Perna adds:

As a shameless plug, I can also recommend readers search for Britten’s entire output using The Comprehensive Britten Song Database! www.brittensongdatabase.com

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I was inspired to compile a list of streaming internet radio stations that are of interest to classical singers, after reading a thread on this topic on Facebook some weeks back.  You can listen to these audio streams on your computer using your web browser; on mobile devices, you can use an app like TuneIn to access most (not all) of these audio streams.  For some channels, e.g. Operavore, the player on their website provides more real-time information about the work, performers, and composer than you get through an app like TuneIn.  Other channels do display that information within the TuneIn interface.

If you have suggestions for streaming audio channels that belong in this list, let me know in the comments section.

VivaLaVoce (WETA, Washington DC)

Description from their website: “VivaLaVoce presents classical vocal music in all its forms, from the Middle Ages to the present, 24 hours per day. Featuring Opera, Choral Music, and Art Song, the station offers something for everyone who loves vocal classical music.”

Operavore (WQXR, New York City)

Click on the “Operavore” tab at the top of their website to listen to the streaming audio.  Description from their website: “Operavore is WQXR’s digital 24/7 audio stream, blog and weekly radio show devoted to Opera. The Operavore blog features breaking news, expert commentary and reviews by writers Fred Plotkin, David Patrick Stearns, Marion Lignana Rosenberg and Amanda Angel. The stream features a continuous, carefully programmed mix of classic and contemporary opera recordings. The show, which launches Jan. 19, 2013, features opera news bulletins from the around the globe, previews of new recordings, and interviews with the players and personalities on the scene.”

MPR Choral Stream (Minnesota Public Radio)

Listen from your web browser, TuneIn, or the MPR Radio App for iPhone.  Description from their website: “We’ve created our 24/7 choral stream for one reason: we love this music. We want to share our favorites and some beautiful surprises with you. What’ll you hear? A big range from Palestrina to Pärt, spirituals to Schubert, and new work by Whitacre, Lauridsen, Paulus, and more wonderful contemporaries. You’ll discover great professional choirs, college choirs, amateur choirs, church choirs… anytime you want!”

radio_opera_logo Rádio Ópera (São Paulo, Brazil)

Description from their website: “Full-length operas 24 hours a day.”

King FM Opera Channel (Seattle, WA)

Description from their website: “All Opera, all the time – only a mouseclick away! Featuring operas 24/7, hosted by Seattle Opera General Director Speight Jenkins.”

King FM Choral Music Channel (Seattle, WA)

Description from their website: “Choral Channel in partnership with Chorus America”

NDR Kultur – Belcanto (NDR, Hamburg, Germany)

Listen to this stream at ndrkulturbelcanto.rad.io.  Description from their website: “NDR Kultur presents the most famous arias from the world of Italian opera. The stars of the international opera stage for an hour draw the listener into the realm of dreams and the ‘dolce vita’.”

http://www.swissradio.ch/menu/discography/klassik/opern/index.htm Swissradio.ch Opera (Switzerland)

Description from their website: “Opera and Operetta: Enjoy with swissradio Opera legendary and rare opera recordings in full length.”

GotRadio – Classical Voices

Description from their website: “Opera and choral music”

ottos_opera_house_logo 1.FM – Otto’s Opera House

Description from their website: “Listen to over 1000 complete and uninterrupted operas from the baroque era to modern days [sic] performances. You will be dazzled by the greatest singers and composers. A great collection of operatic music!”

rd_opera Diveky Radio – Opera (Budapest, Hungary)

Description from their website: “The premier opera recordings from Hungary and around the world”

rd_operetta Diveky Radio – Operetta (Budapest, Hungary)

Description from their website: “Famous operettas from Budapest and Vienna, augmented by well known French and English works”

Radio Caprice (Russia)

Their channels include OperaMass/Chorus/Cantata, and even a station devoted to popera, if that’s your cup of tea.  The TuneIn app was the most straightforward way for me to listen to these channels, since the web page required browser plug-ins that I was unsuccessful in installing.  If you do use the TuneIn app, you’ll need to search on the exact title of the channel in order to find it, due to the large number of Radio Caprice channels, so search for “Radio Caprice Opera” or “Radio Caprice Mass/Chorus/Cantata”.  Speaking of which, the Radio Caprice website lists a huge number of musical genres for which they have channels, 2/3rds of which I have no idea what they are (what is “funeral doom metal”?).

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fachme

The other day, my friend Katia H. told me about a website I wish I’d built, called FachMe.com.  The premise is simple: you enter roles you’ve sung and found well-suited to your voice, and the website suggests other roles for you, based on its database.  As the websites states: “FachMe uses a database of over 16,000 real opera singers’ careers to recommend characters which are statistically likely to suit your voice.”

Over at Stack Exchange, the creator of the site, Jordan Eldredge, explains a bit more about what he was trying to accomplish with it:

Unfortunately, much like musical genres often do a poor job of defining the subtitles of music, the human body and composer’s imaginations don’t conform very tightly to our categorical constructs [of fach]. That being said, we need a vocabulary to discuss and even internally process the qualities that make a voice suit a role and, like musical genres, this is the best method we have.

When I was doing my undergraduate degree in voice, I became very frustrated with singers over-identifying with a fach and either limiting themselves, over-extending themselves, or trying to learn repertoire that would probably be in their future but was not yet healthy for their voice. To help combat that trend, I started a website that skips the system of fach pigeon-holes and helps singers find appropriate roles directly.

The website asks a singer for roles which they feel suit their voice right now, and then searches through its database of over 16,000 singers careers for singers who sang those roles. The site then lists other roles most commonly performed by those singers.

It’s not a silver bullet but it’s a useful tool for brainstorming and it has the advantage that it’s based on actual data.

Eldredge also posts a link to an episode of KALW’s VoiceBox podcast called “The Fachs of Life” which mentions FachMe.com and also features Nathan Gunn, Nicola Luisotti, and Sheri Greenwald discussing the topic of fach.  (Play the episode online or download it as an MP3 file.)

I played with FachMe.com a little bit – I wasn’t familiar with all of the roles it suggested, but the ones I knew seemed reasonable.  I’ve heard that the website tries to take various factors into account in order to make sane recommendations – for example, if you enter a role that a singer in the database did very early in her career as a young singer, it will not necessarily recommend roles performed late in that singer’s life.  I am interested to hear others’ opinions on the quality of the recommendations they get.  This is the sort of tool that I would approach with the standard disclaimers (your mileage may vary, take it with a grain of salt, each singer is individual, etc. etc.) but it might be fun to play with and at least glean a few interesting role suggestions.

In case you missed the live stream of Joyce DiDonato’s master class at Juilliard in January, most of it has now been posted on YouTube, courtesy of Juilliard’s YouTube channel.  Many thanks to Ms. DiDonato for having the idea to live-stream her class, Juilliard for making it happen, and the young artists in the master class for sharing their art and their learning experiences. Enjoy!

(P.S. Speaking of YouTube, if you read my blog post about downloading YouTube videos on your iPad to watch offline and are using the iCab Mobile browser to do this, DO NOT upgrade beyond version 6.8 or you will lose this capability!  Apple cracked down on the developer and forced them to remove this feature.  I’ll blog more about this later, as well as which video download app I switched to.)

Juilliard Master Class With Joyce DiDonato: Introduced by Brian Zeger (6:25)

Juilliard Master Class With Joyce DiDonato: Virginie Verrez, Oh! La pitoyable aventure (24:49)

Juilliard Master Class With Joyce DiDonato: Deanna Breiwick, En proie à la tristesse (34:24)

Juilliard Master Class With Joyce DiDonato: Q&A (32:37)

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Classical Vocal Reprints, the long-time mail-order purveyor of sheet music for vocalists, has expanded into the realm of digital sheet music with the launch of their new website for PDF sheet music downloads.  This is great news for us singers because it puts their huge catalog of high-quality editions of opera, song, oratorio, and other solo vocal literature instantly at our fingertips.  From their website:

We have it all (opera, art songs, specialty numbers, new composers, rare music and old favorites) […] We even carry things that are otherwise out-of-print. As our name implies, we have many hard-to-find titles which we reprint ourselves.

You can browse the composer list at their PDF download store, or search by title, composer, or catalog number.

Some of features of CVR’s catalog and service that deserve special mention:

  • Many songs and song cycles are available in multiple transpositions
  • They carry out-of-print and hard-to-find titles
  • They can do custom scans, custom prints and transpositions (given sufficient lead time)
  • They are a good source for individual arias when you only need one or two of them and don’t want to buy a complete opera score or anthology
  • Custom PDFs – Even if something isn’t in their catalog, you can call/email them and they may be able to create or obtain a PDF and supply it to you
  • Great coverage of the standard vocal literature

I’m trying to convince CVR to sell their PDF sheet music in forScore’s in-app sheet music store, too.  That would be super convienient for us forScore users.  If you’d like to see that happen, drop CVR a line on Facebook or Twitter.

If you are not familiar with CVR, they are an independent sheet music retailer founded in 1987 and based out of Fayetteville, Arkansas.  The owner is Glendower Jones, who is himself a singer and knows all the ins and outs of vocal literature, score editions, and music publishing companies.  Glendower is like the concierge of classical vocal music – he’s the guy who picks up the phone when you call CVR, and he is knowledgeable and happy to advise on score editions, provide custom PDFs or other custom services, and track down and help you get your hands on any possible score you can think of (and CVR also has a retail website for traditional printed sheet music, for items that are only in that format).  Even if a item is not listed on CVR’s website, just call or email Glendower and he can definitely hook you up.  Glendower has supplied sheet music to such luminaries as Joyce DiDonato, Martin Katz, Susan Graham, and Thomas Hampson, but I can attest that he provides fabulous personal service to us mere mortals, too.  He’s advised me about art song editions and publishers, given me discounts and free/reduced shipping charges from time to time, and once offered to send me a Bärenreiter edition at no extra charge when the score I originally requested was on backorder.  I’m quite happy doing business with CVR.

A special plea: Please consider patronizing CVR for your sheet music needs (digital AND printed) and not just the “big-box” online sheet music retailers.  The prices are competitive, and for you choristers, CVR’s printed music division carries choral/oratorio scores too.  The PDF download store is not just CVR’s latest venture, it is also Glendower’s bid to keep his business afloat in a difficult economy and a changing music retail market environment.  Except for those who have been living under a rock, musicians everywhere know that independent sheet music retailers, especially brick-and-mortar stores, have been downsizing or flat out folding left and right, and if CVR goes, it will be a huge blow to the classical vocal community.  CVR is one of the last bastions of personal service in the sheet music retail world.  Glendower has been known to look up a specific measure on a specific page of a specific score to provide information to a customer to help them make the right purchase.  Good luck getting that kind of service from S**** M**** P***.  If you’d like to see that kind of personal service and selection thrive in the 21st century, please support independent businesses like CVR.

Credit: Encyclopædia Britannica, Inc.

Now that my music performance commitments for the holidays and the fall are behind me, I’m coming up for air and for a report on how things went from a technology perspective. (This is part 2 of a two-part post. Read part 1 here.)

3. Messiah duet + choral gig + more

My duet partner and my pianist colleague and I rehearsed and performed some duets for fall and winter shows, namely, the Barcarolle from Les contes d’Hoffmann and also “He shall feed his flock” from Handel’s Messiah. IMSLP was definitely my friend when it came to downloading sheet music for those pieces. During our rehearsals, I mused on how I might like to get a more compact portable music stand for my iPad. I like the combination of the CrisKenna Xclip2 mount and Mic Stand Concertino plus gooseneck extension, recommended by flutist Sharyn Byer when she was profiled on Going Digital for Musicians:

Credit: AirTurn

Here’s another photo from that blog post that shows a dramatic difference between the space taken up by Sharyn’s music stand, versus her colleague’s more traditional stand. To be fair, though, her colleague probably gets to view more pages of music at a time, and perhaps in a larger size, too!

TheGigEasy mic stand mount for iPad also looks good for my purposes, and a new, thinner, lighter version will be released in January 2013. The iKlip mic stand mount is worth a look too. Honestly, my current portable setup of a wire stand plus my iPad case with its securing strap is not bad, but I wouldn’t mind something with a sturdier build and slimmer profile. I’d feel less worried about knocking it over.

I also had a Messiah chorus gig this past Christmas. Unlike my regular choir, I was the only tablet-wielding singer there. The soprano seated beside me showed a great deal of interest in my iPad sheet music. She was considering a Kindle purchase and was wondering about using it for sheet music. Of course I directed her to this blog so she can check out a few different options 🙂 About the Kindle specifically, I am leery of it for sheet music at this time. A friend once showed me a music score on his Kindle DX e-reader. I liked the screen size and resolution, but we found the page loading and page turns to be slower than on my iPad, and I also thought the music was difficult to see on the non-backlit display. Perhaps the newer Kindle models perform better, though – I haven’t tried them so I don’t know.

Earlier I had asked the conductor for the Messiah performance whether it was ok for me to use my iPad for the music. Fortunately, she was cool with it (not all conductors are, so it’s not a bad idea to ask first). I used my black silicone iPad skin as the “black folder” for holding the music during the performance (same as I do with my regular choir) and no one voiced any concerns. But it did get me to thinking about having an iPad case that looks more like a traditional black choral folder for those times when a music director insists on it, or if I’m doing one of those Victorian period-costume caroling gigs where it would look anachronistic and silly to be obviously holding an iPad. And I’m tired of waiting for MUSICFOLDER.com to design such a case. Blog reader Loren F. recommends the DODOcase for this purpose, and blog reader Dick H. gave some tips on modding the DODOcase for use as a choral folder. However, the price of the DODOcase is a bit steep for me, so I’m probably going to roll my own and make an iPad choral folder out of an inexpensive folio case as a do-it-yourself project – stay tuned for details.

By the way, in the course of doing this Messiah chorus gig, I was informed that you can download PDFs of the choral movements from the Schirmer edition of the Messiah vocal score at this site (although I haven’t verified that all the page numbers, etc. match up with my printed Schirmer score, so caveat downloader). Schirmer is not the most scholarly edition of Messiah ever, but an awful lot of typical local Messiah performances use it, so it can be handy to have. (The Schirmer score on my iPad is one that I scanned previously from the printed score that I own.)

4. Preparing for the St. Matthew Passion

My choir is performing Bach’s St. Matthew Passion this coming spring. I bought a score and had the spine sliced off and then our de facto e-music librarian, Steve, scanned it into a nice slim 7MB PDF file for use with forScore. I ordered a CD of one of the recordings that the conductor recommended (I couldn’t find it as a download or in streaming format) and I also procured a different recording on iTunes. I found some excellent free diction/IPA resources for the St. Matthew Passion online that will be a useful learning aid. I also want to check out SingersBabel to see what diction resources they have for this work. I just got a Belkin YourType Folio + Keyboard for my iPad (more on that later) and I think that its Bluetooth keyboard will come in handy for typing the translation into my score. The Great Books Tutorial website has the text and translation of the St. Matthew Passion in PDF format, laid out nicely for either printing or viewing on a tablet. There are also some interesting background pieces and listening guides online: Bach 101: St. Matthew Passion from the Bach Choir of Bethlehem’s website, an introduction and annotated text/translation from Minnesota Public Radio, and A Visitor’s Guide to the St. Matthew Passion by NPR.