Archive for the ‘Spanish’ Category

Credit: Amazon.com

MP3 accompaniment tracks are a really handy thing to have loaded up on your smartphone, tablet, or laptop.  They are useful as a mobile practice aid when you’re away from your pianist, especially in conjunction with a music score reading app like forScore or unrealBook that lets you link an audio track to a score for easy playback during study.  MP3 accompaniment tracks will even do in a pinch for  performance situations where live accompaniment is not an option (but see the note below about performance licenses).

Many of the websites that sell accompaniment tracks have audio samples so you can judge the quality of the sound and the pianist.  They may also sell spoken-text diction audio tracks in which a coach or native speaker runs through the pronunciation of the aria or song text.  In fact, some sites offer whole packages of learning tracks for full opera roles that include diction tracks and accompaniment tracks with and without the vocal line and vocal/orchestral cues.

If you want to use your MP3 track for live performance or on YouTube or other recordings, you will probably be required to get a license.  Some of the websites make this very easy – you can add a license to your shopping cart the same way you add an MP3 track you’re purchasing.

Here are some websites that offer accompaniment tracks:

MP3 Accompaniment Tracks

Your Accompanist – MP3 piano accompaniment tracks of songs and arias, with or without the vocal line.  In addition to their broad catalog, they handle custom requests.  (I’ve purchased tracks and custom orders from them with good results.)

MP3Accompanist.com – MP3 piano accompaniment tracks of songs and arias.  Some tracks are available in different tempi or different keys.  They have a sizable catalog and also accept custom requests.  In addition, they offer spoken text tracks for selected songs and arias.  (I’ve had a decent experience purchasing from them as well.)

Opera Karaoke – MP3 piano accompaniment tracks for arias, vocal line tracks, and diction tracks.  They also sell video tracks that display the aria text as the music plays.  The video tracks are supposed to be compatible with iPhones and Android in addition to Windows/Mac/Linux.  They accept custom requests.  Also, they provide a useful tutorial on using Audacity to change the pitch and or tempo of an MP3 accompaniment track (this method works on any MP3 track, not just theirs).

Karaoke Opera – MP3 orchestral accompaniment tracks (using a real orchestra) for greatest-hits arias and duets from opera, Gilbert & Sullivan, Messiah/oratorio, and Broadway.  Available from Amazon and iTunes.

CANTOLOPERA – Orchestral accompaniment tracks (using a real orchestra) for greatest-hits arias and a couple of full operas, plus some Italian songs.  They sell the tracks on CD (which you can probably rip) but also as MP3 albums and individual MP3 tracks on Amazon, iTunes, and Google Play Store.

Opera Practice Perfect – MP3 and CD piano accompaniment tracks of roles, complete operas, and accompagnato recits.  They also have a couple of the major concert works, e.g. Messiah and Verdi Requiem.

Pocket Coach – MP3 piano and orchestral accompaniment tracks, diction tracks, scores, and libretto/translation booklets.  Repertoire is pretty diverse and includes opera, oratorio/concert works, art song, religious solo, vocal method books/student repertoire, songs for children, and Gilbert & Sullivan.  Many languages are represented, including Czech and Spanish.  They have a separate storefront for MP3 downloads.

I sometimes run into random one-off collections of MP3 accompaniment tracks, for example this Schubert: Lieder without Singer album on Amazon.

Accompaniment CDs

(You can probably rip these to MP3 for use on your mobile device)

Coach Me – CDs with piano accompaniment tracks for full roles (with and without vocal line) plus spoken-text tracks by native speakers and a libretto/translation booklet.  They also have assorted lieder and some major concert works, e.g. Messiah, St. Matthew Passion, Mozart/Verdi Requiems.

Music Minus One – Piano and orchestral accompaniment tracks for arias, songs, and other styles (e.g. Broadway) on CD.

Classical Karaoke – An umbrella site that showcases accompaniment CDs from different publishers.  One nice thing about this site is that you can browse by album, composer, opera, role, or aria.

Aria and song anthology books often have corresponding accompaniment CDs, for example the art song anthologies from Hal Leonard.

MIDI Tracks

Classical MIDI with Words – A modest selection of free MIDI tracks for arias and songs.  The sounds are a bit cheesy, but hey, it’s free.

Classical Archives: MIDI – Large collection of classical MIDI tracks, and not just for vocalists.  This is a pay site and I’m not sure if it’s subscription-based or pay-by-the-track.  They do have a free trial period and they may also offer a free download or two of your choosing.

Many thanks to Jeffrey Snider who started the thread on the New Forum for Classical Singers that helped me to write this post.

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The Diction Police logo

The Diction Police podcast is, in my humble opinion, a must-have resource for every singer.  The host, Ellen Rissinger, is a coach on the music staff of the Semperoper in Dresden.  She invites native speakers who are singers, conductors, or coaches to read aloud the texts of arias or art songs in the standard repertoire (and sometimes not-so-standard repertoire).  Then they have a discussion about the basic pronunciation rules, the finer points of diction, the most common mistakes non-native speakers make, and diction issues where experts may have differing opinions.

The podcast covers the standard languages of Italian, German, and French and has also ventured into Russian, Czech, Hungarian, Swedish, Norwegian, Spanish, and British and American English.

The podcast’s website has several useful indexes–you can browse episodes by language as well as by aria/song title, and there is an episode guide.  It’s really useful for both general language/diction learning as well as polishing specific arias.

One thing I really like about the podcast is that Ms. Rissinger starts off most episodes with a short segment featuring study tips and career/life advice for musicians.  It’s delivered in a friendly, non-preachy way and is usually accompanied by personal anecdotes of her own successes and screw-ups(!)–kind of like “things I wish I’d known when I started out.”

Also, her Seven Steps to Learn Music are my gold standard for learning repertoire.

The Diction Police podcast is an incredibly rich resource, and I think it speaks to Ms. Rissinger’s expertise, love of lifelong learning, and generosity of spirit that she produces it and makes it available for FREE.  It is a great gift to the world of singers.

You can subscribe to The Diction Police through iTunes or with your favorite podcatcher app  (I use DoggCatcher on my Android phone).